NAT KING COLE { You Belong To My Heart }

            This song was written by Agustin lara, he was born in Veracruz, Mexico. when Agustin was young,very clear that he has musical talent.
however, his father, a general practitioner,  and Agustin wants to learn more and more to get an honorable profession. Agustin run away from home when he was twelve andstarted learning to play piano in a cabaret Mexico City.
at night her father came to cabaret, and found there Agustin, and his father told Agustinto sign a military academy.
Agustin escape again from his father and played the piano in another place. then heplayed the film, around the city argentina, brazil, cuba and he has written songs to 600songs.  

 

AGUSTIN LARA

AGUSTIN LARA

One of her popular song is "you belong to my heart. "
Nat "King" Cole, the state loves the United States, singer and jazz pianist, is one of the musicians who have a very good appearance

         
            Nat King Cole was born Nathaniel Adams Coles in 1919 in Montgomery, Alabama. When Cole was four years old, his father, Edward, a Baptist minister, accepted a pastorship of a church in Chicago. The family, which included Cole's mother, Perlina, his older brother, Edward, and two sisters, Eddie Mae and Evelyn, moved north. Two younger brothers, Issac and Lionel (called Freddie), were born later in Chicago. Perlina Coles, choir director at her husband's church, introduced her children to music early on and all four of her sons became professional musicians. As a small child, Cole could pump out "Yes, We Have No Bananas" on the piano and liked to stand in front of the radio with a ruler in his hand, pretending to conduct an orchestra. At age 12, Cole began taking formal lessons in piano and also began playing the organ in his father's church. If his keyboard skills weren't needed at church, he was put into the choir.
          

NAT KING COLE

NAT "KING" COLE

 

            While attending Wendell Phillips High School, Cole became enamored of jazz music. The African American community on Chicago's South Side was a center of jazz action in the 1930s. Cole and his older brother Eddie went as often as possible to hear jazz and be with jazz musicians. When admission to a performance could not be afforded, Cole would stand in alleys listening at the stage door. He was most influenced by the style of pianist Earl "Fatha" Hines. "It was his driving force that appealed to me ... I was just a kid and coming up, but I latched onto that new Hines style. Guess I still show the influence today," Cole told John Tynan of Down Beat in 1957. 

NAT KING COLE

NAT KING COLE

As a teenager, Cole organized two musical groups — a 14-piece band called the Rogues of Rhythm and a quintet called Nat Coles and his Royal Dukes. He would play with whichever group could get a booking. In addition to music, athletics played a big role in Cole's adolescence and his talent on the baseball diamond drew the interest of scouts from the Negro Leagues. Cole remained a sports fan throughout his life. "The only sport I'm not interested in is horse racing, and that's because I don't know the horses personally," Cole told The Saturday Evening Post in 1954.

At age 16, Cole became the pianist for the Solid Swingers, a quintet formed by his brother Eddie. Late night engagements made keeping up with academic work difficult, and Cole gradually dropped out of school before earning a diploma. In 1936, as pianist for the Solid Swingers, Cole participated on several records for the Decca company's Sepia Series. These were "race" records aimed at black audiences. Though the Solid Swingers' recordings did not enjoy much popularity, the fact that a record company had been interested enough to make them in the first place was a big encouragement for Cole to pursue a career in music.

In 1937, Cole and his brother Eddie joined a revival of the revue Shuffle Along. After a six-week run in Chicago, the show went on the road. During the tour, Cole married dancer Nadine Robinson. When the Shuffle Along company suddenly folded in Long Beach, California, Cole and Robinson decided to stay on the West Coast. To pay the rent, Cole took whatever job was available. "It was a tough workout. I must have played every beer joint from San Diego to Bakersfield," Cole told The Saturday Evening Post. Despite having to play on out of tune pianos at third-rate venues, Cole's extraordinary talent was noticed and he was soon a regular performer at the Century Club, a favorite hangout for Los Angeles area jazz musicians. "All the musicians dug him. We went there just to listen to him because nobody was like him. That cat could play! He was unique," said a musician who saw Cole at the Century Club to biographer James Haskins. 

NAT KING COLE

             In late 1937 or early 1938, dates differ, Cole was asked to put together a small group to play at the Sewanee Inn, a Los Angeles nightclub. Cole got guitarist Oscar Moore, bassist Wesley Prince and drummer Lee Young to join the group. When Young failed to appear on opening night, the group went on as a drummer-less trio. Cole was still using his real name Coles. Sewanee Inn owner Bob Lewis nicknamed him King Cole and requested that he wear a gold paper crown during performances. The crown soon disappeared but the nickname stuck. The group became known as the King Cole Trio and its leader became Nat King Cole. 

THE KING COLE TRIO

             In 1956, Cole was given his own television show on NBC-TV. Despite good ratings, the program failed to find a sponsor and left the air after a year. Cole's being African American was seen as the primary cause for the lack of advertising interest. Sponsoring a program that drew a large, if by no means exclusively, black audience was seen as a waste of money by advertisers. Racial incidents cropped up from time to time during Cole's starring career. When he and his wife bought a house in the exclusive Hancock Park section of Los Angeles in 1949, neighbors formed an association to prevent them from moving in. In 1956, at the height of his fame, Cole was attacked by a group of white men while performing in Birmingham, Alabama. Cole was sometimes criticized by other blacks for not taking a more aggressive stand against unfair treatment of racial minorities. He did not refuse to perform before segregated audiences, believing that goodwill and an exhibition of his talent were more effective than formal protests in combating racism.

The advent of rock and roll, the revitalized career of Frank Sinatra (to whom Cole was often compared), and competition from younger black "crooners" such as Johnny Mathis and Harry Belafonte, caused Cole's popularity to fade slightly in the later 1950s. To boost his sagging career, Cole acted in a several films, and organized a touring concert show called "Sights and Sounds" in which he appeared with a group of young singers and dancers called the Merry Young Souls. In the early 1960s, he returned to the top ten with the hits "Ramblin' Rose" and "Those Lazy, Hazy, Crazy Days of Summer." Some critics remarked that these vacuous, though catchy, songs were not up to the quality of his earlier hits.

            Throughout his adult life, Cole was a heavy smoker who was rarely seen without a cigarette in his hand. After an operation for stomach ulcers in 1953, he was advised to stop smoking but did not do so. Keeping up with a hectic schedule of recording and live appearances, he ignored signs of ill health. In late 1964 he was diagnosed with an advanced case of lung cancer. After unsuccessful medical treatments, he died on February 15, 1965, at St. John's Hospital in Santa Monica, California.

Cole's recordings, both his jazz material and his mainstream work, have been discovered by new generations of fans. In 1991, Cole made a strong resurgence when his daughter Natalie blended her voice with his on a chart-topping new rendition of "Unforgettable." Also in 1991, the Complete Capitol Recordings of the Nat King Cole Trio was released to the delight of jazz fans. Listening to the trio's complete recordings brought new insight into Cole's career. Jay Cocks of Time wrote of Cole, "He wasn't corrupted by the mainstream. He used jazz to enrich and renew it, and left behind a lasting legacy. Very like a king."

NAT KING COLE { You Belong To My Heart }

You belong to my heart
Now and forever
And our love had its start
Not long ago

We were gathering stars while a million guitars played our love song
When I said "I love you", every beat of my heart said it, too

'twas a moment like this
Do you remember?
And your eyes threw a kiss
When they met mine

Now we own all the stars and a million guitars are still playing
Darling, you are the song and you'll always belong to my heart

'twas a moment like this
Do you remember?
And your eyes threw a kiss
When they met mine

Now we own all the stars and a million guitars are still playing
Darling, you are the song and you'll always belong to my heart